Jaden Smith is beaming from ear to ear. The newly appointed Men’s Creative Director for Christian Louboutin stands in the center of the Men’s space at the fashion house’s world-famous Rodeo Drive store in Beverly Hills. He’s admiring the new Fall/Winter 2026 collection — his first full collection for the brand — as he prepares to unveil the pieces to friends, family, and fans at an exclusive event that will balance an invite-only cocktail hour with a public reception later in the evening. The event series will continue with appearances at the Christian Louboutin Atlanta boutique on June 9 and the Christian Louboutin New York Men’s boutique on June 11, followed by London and Paris. Before the doors open, Smith walks Complex through the display, pointing out the best angles for our photographer to capture images. It’s evident through the way he talks about the collection and his hands-on approach that this launch is deeply personal.
Among the special guests in attendance celebrating the launch are his famous mother and father, Jada Pinkett Smith and Will Smith, alongside his pop star sister, Willow, and older half-brother, Trey Smith, as well as Moises Arias, pro skater Na-Kel Smith, Jack Wright, and Zack Lugo. Ever the proud parents, Will and Jada weave through the displays, snapping photos and videos for their social media pages, chatting with guests, and gushing about the achievements of their multi-hyphenate son.
“He really does think out of the box when it comes to fashion,” Jada tells Complex. “Fashion is something that he’s really passionate about. He’s been studying it for a while. It’s one thing to have an eye and good taste, but it’s another thing when you really take fashion and the history of fashion as seriously as he does.”
Will mirrors his wife’s sentiments, adding just how “proud” of Jaden he is — even if he didn’t initially foresee “Men’s Creative Director at Christian Louboutin” landing on his son’s resume. “I didn’t see this coming,” he admits. “But I love when people see things in my kids that I didn’t see.” According to Will, as a child, Jaden loved T-shirts and could often be found scribbling designs on them around the house.
Those early scribbles have now materialized into a meticulously crafted vision for one of the world’s most respected fashion houses. At its core, the collection centers on the concept of the complete silhouette. Layered visual compositions showcase everything from crimson interiors and reflective leather to sculptural footwear, sunglasses, and belts. The result is a fluid, sensual wardrobe viewed through a multi-generational lens — offering a rich spectrum of perspectives for the modern man.
Here, Jaden Smith talks to Complex about his debut collection, what it’s like working with Christian Louboutin, and just how much hip-hop inspires his work.
You were appointed as the first-ever Men’s Creative Director for Christian Louboutin last year. How’s the new role been treating you?
It still blows my mind. I’ve been doing it for a year, and this is the first time that the world really gets to see what’s going on. I’m here in Los Angeles, we’re upstairs in the men’s section of the Rodeo store, Christian Louboutin, with my family and community and people that I know who are going to be able to see this for the first time, and some fans as well, and it’s really, really crazy to me, and it’s really exciting.
Did you come into the role with a vision already realized or did you take some time to learn the brand from the inside before coming up with something?
I always have ideas in my head, but it definitely took time for me to get inside of the brand, to understand the consumer, to understand the capabilities that we have, and to understand where we’ve been to understand where we’re going, and walking around the factories and meeting the people that are really making these products with us. That’s when it felt like, ‘Oh, ok, it’s really happening.’
Now that you’re fully immersed in the business, what do you think Christian Louboutin as a brand represents?
The brand for me really represents extreme luxury, it represents craftsmanship. It reminds me of the multi-generational design philosophy that I have within the collection, because it’s a multi-generational process of making and crafting these leathers and putting them in specific ways. There’s certain families that have passed down secrets of crafting and producing leather goods at the highest quality to their kids, and their kids’ kids, and their kids’ kids’ kids, and those people are still working on these products today. So I feel like it really represents sophistication, as well as art, high-level art. And that’s something that Christian is very, very serious about. He just loves art.
How does it feel to get your first full collection out into the world?
It really feels amazing. I’m so excited for the world to have access to it, not because I want them to see my work, but because I want them to be able to feel how I feel when I put on these boots, or when I put on the flip flops. I want people to feel and understand the confidence that comes on to your whole spirit when you put on a pair of red soles, and how it changes how you perceive yourself. Because how you perceive yourself changes how other people perceive you, and both of those things combined can change your life and make you a different person.
What’s one of your favorite pieces from the collection?
I love the Tactical bag and how different yet simple it is. It has pockets for paint brushes and pencils. Who’s the type of person that is going to have paint brushes and pencils? I see a modern-day Leonardo da Vinci with this bag, and he’s carrying his paintbrushes, pencils and different things inside of it. I also really love these cool shirts and hoodies with Christian’s face on them. I think people are really gonna like them.
Was there anyone in particular you had in mind when designing it — whether as an inspiration or someone you thought would just look good in it?
When I’m thinking about my designs, I’m thinking about the Christian Louboutin Men’s universe that we’re creating. But if I have to name one person that I think about the most when I’m designing things, it would be Willow. Even though I design for men, Willow likes to wear the types of shoes that I’m designing. Beyond that, I’m looking at the multi-generational design philosophy that we have. I’m looking at the multi-generations of men that are in these factories, where you have the grandpa, the dad, the son, and then you have the youngest son, and the different personalities and perspectives that are in these people’s fashion choices.
Like, what’s going to be inside of the collection that the youngest son is going to wear? The youngest son kind of represents me. I want to be the one that’s more rebellious. I’m going to show how different I am from the rest of my family with my fashion choices. That’s when you have things like The Ennio boots, or the different things where it’s like, that’s for the kid that’s making a fashion statement. So I’m always having a multi-generational design philosophy within what I do, that’s who I’m thinking about when I’m designing.
How much input did Christian himself have on the collection?
Christian adds things to the collections all the time. I think the most prominent, and probably one of the higher seller things that he’s added to this collection has been the thigh-high version of The Ennio boots. I designed them and then he said, ‘Oh, let’s make a thigh-high version.’ People love them, and I feel like it really complements the idea of mixing where we’re coming from to where we’re going.
What’s it like working with him?
It’s great. I love bouncing ideas off of him. My office in Paris is directly next to Christian’s, and it’s separated by a large glass wall; so I can just look into his office and see what’s going on at any given moment, and he can look into mine and see what’s going on. So it’s kind of like this constant collaboration that’s happening between me and him, where we go and look at samples, and we take certain things back to our office.
What’s been something important you’ve learned from him or your new role as a whole?
I think the main thing that I’ve learned is probably how although sometimes I like to do the craziest ideas in the world, having a balance between the simpler ideas and the crazy ideas sometimes really hits home. There’s a lot of people in the world, including me, who really like complicated things, but also like things that are very simple. Sometimes I try to go for the most insane thing, but it turns out a lot of times the simpler thing is the better thing.
How much has hip-hop inspired or played a role in the creative direction and vision you see for Christian Louboutin?
Hip-hop is a huge part of my inspiration, my culture, everything that I do. I think fashion and music have been influencing each other for a long time, and they continue to to this day. So a lot of the designs come from that space of wanting to bridge the gap between those cultures. Think about the amount of songs where people are talking about red bottoms. So it’s very much integrated into everything we’re doing.
Has your time at Christian Louboutin inspired your music in any way?
I released a small EP on the day of the announcement, and that was my musical contribution to the collection. In fact, I was just listening to it before I got here. Music is very much an aspect of everything we try to do, especially when we have shows.
Christian Louboutin’s Fall/Winter 2026 collection by Jaden Smith is available online and in stores worldwide now.
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