(This seems to be the general tenor of the Warfare camaraderie, according to Gandolfini. “It was an unbelievable bond that I certainly have never had with a group of 16 men,” he explains. “Noah Centineo says we fell in love with each other.”)
Garland first learned of Connor in what he describes as “classic middle-aged-guy” fashion: the filmmaker’s daughter is a Heartstopper fan, and when Garland watched the show himself, he saw an actor who seemed not only charming but talented.
“The thing about Kit is that there’s something disarming about him,” Garland says. “In acting terms, there’s real craft and that craft is not like a sort of wide-eyed ingénue. That is someone who’s working extremely hard at what they’re doing.” And in Connor’s Warfare role, which Garland says required a great deal of physical and psychological endurance, the filmmaker observed that “as a person, as a young man, there’s some steel in there.”
Rachel Zegler, who’s playing Juliet to Connor’s Romeo, was relieved by “how much he cared about the work,” she told me in an email. “We seemed to both have the same fears about doing this coveted material for so many people eight times a week. And in shared anxiety, you form a bond. I’ve only grown to love him more as time has gone on.” Plus, “he also teases me a ton, which is nice to break the tension of working on a tragedy.”
When we speak, Connor is just weeks into rehearsals for Romeo + Juliet. He already describes that production, and Warfare too, as life-changing. “I sometimes stop myself and think, ‘Wow, I’m kind of walking among my heroes,’’’ he tells us back at the table. It’s a reward in itself, “just being able to have those people and see them up close and work with them or meet them or talk to them.” He reckons he’s been saying that Andrew Scott is one of the best actors alive for as long as he’s been giving interviews, and he also has his eye on how his Warfare costar Joe Quinn is “crafting a hell of a career.” He loves nothing more than telling a friend he enjoyed their latest project: “There’s something really nice about being able to watch a film and know a person and be like, ‘That was fucking unbelievable.’” He had that same feeling when he and fellow Heartstopper castmate Tobie Donovan went to see Locke on Broadway.
“When you first came on, it was just like, ‘Oh, this is really special,’” Connor recalls, though he admits he didn’t even know Locke could sing. “In this incredible theater and this beautiful space and all these people. And that’s Joe. That’s one of the prime examples of it, of just like, ‘Oh my God, I get to see my friend do this really incredible thing, blow everyone’s socks off.’”
“There’s an appetite at the moment for young, talented people in the industry,” he says. “It’s just cool to step back and be able to see it from a really close distance.”
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